Motor sport may be the main focus of this writer’s attention, but for two weeks every four years, an event comes around which dominates television viewing both here in the UK and abroad: the Olympic Games.
There are a few aspects that I wanted to touch on in this post which still has some relevance to motor sport and Formula 1.
Graphics simple, but effective
The Rio 2016 graphics set has not changed very much from those on display at both the Beijing 2008 and London 2012 games, meaning it has now been used for at least eight years. The 2006 Winter Olympics in Turin used a modified version of the previous graphics set. What is interesting to me is the difference between Formula 1’s graphics set and the Olympic set. I dare say that the Olympic graphics set is stuck in the mid-2000s, but it has not changed in recent years.
F1’s graphics display multiple pieces of information on-screen at the same time, whereas the Olympics goes for a ‘less is more’ approach. I guess it is also a sense of familiarity for the latter given that the Olympics is firmly aimed at bringing in a casual audience. Both serve different purposes and that should be recognised. It would be interesting though seeing Olympic graphics stuck over the top of a F1 race. I suspect fans would find them too intrusive.
One similarity between the F1 and Olympic Games is the slow-motion shots. The first week has seen a lot of superb slow-motion shots from Joe Clarke’s victory in the canoe slalom to the diving events, there have been a number of slow-motion shots which no doubt will be repeated in the closing video packages next weekend. We also saw the bike cam in the cycling team pursuit, although the quality of the camera was not great thanks to the amount of rattling.
Is 455 BBC staff ‘too many’?
Back in April, the BBC confirmed that they would be sending 455 staff to the Olympics in Rio. Some of those 455 are freelancers, whilst the amount BBC have sent to Rio pales in comparison to the over 2,000 strong personnel that NBC have sent to Rio. Despite this, the BBC’s coverage (and number of 455) has attracted criticism from the likes of the Daily Star, Telegraph and the Daily Mail.
The comments that I have seen are your usual “too many presenters” or why are there so many production staff. Neither of which fully take into account the scale of the event. BBC One has been live on air from 13:00 to 04:00 every day, around 15 hours. BBC Four has been on air for the same length. Combine that with the running of the Red Button channels. On top of that, there is both online and BBC Radio 5 Live to consider.
Firstly, regarding the on-air staff, including presenters. Presenters do not present on-air and go home. Presenters also research, rehearse, record. Research so that they know what they’re talking about, rehearse so that the end product is as slick as possible and then record any VT’s that need to be done. Now consider doing that over 15 consecutive days. You cannot have one presenter, you need multiple presenters to cover each event and/or channel.
The same applies for commentators. Two commentators per event, 15 to 20 events and the numbers quickly add up. The numbers and facts that commentators have recited, chances are that a researcher has done that for them or (more likely), they have prepared and watched back historical tapes of that event. To bring it back to Formula 1: take David Croft or Ben Edwards. Throughout the Winter they will no doubt have re-watched the 2015 season to ensure that they are ready and prepared for every race for the following season.
Aside from on-air, there are those people off-air that keep the show running: resource managers so that everyone knows what they are doing, camera operators, sound supervisors, production co-ordinators, VT editors, interpreters and a whole host of other people who play a small but significant part in the coverage (I’ve picked a few out here, there are hundreds more). Without the talented men and women behind the camera, the show does not go on. Just because we don’t see them, it doesn’t mean they don’t exist.
Without VT editors, you can’t tell a story to the wider audience. Without interpreters, you don’t know what the winning athlete from a foreign country has said. Of course, this is not just Olympics related: you need this in any form of sport, including motor sport. At the end of the day, if you want to expand your remit, you have to expand your resources. I’ve thoroughly enjoyed watching the BBC’s coverage from Rio, and I don’t think I would want it any other way. The days of presenting from the ‘London studio’ have long passed.
Olympics reaps rewards of free-to-air coverage
The beauty of the Olympics is its accessibility on television. Live, wall-to-wall television coverage on BBC One and BBC Four means that the Olympics can reach the largest number of viewers possible. Saturday’s coverage peaked with 9.4 million viewers on television, with 17.2 million global browsers accessing the BBC Sport website. These are brilliant figures all around, and shows how events benefit from being on free-to-air television.
Would the Olympics do anywhere near as well hidden behind a pay-wall? I doubt it. The Sydney Morning Herald website has a fantastic read looking at the extremely restrictive Olympic rights that extend far beyond television into the sponsorship world. I do not want to regurgitate the article, as there are a lot of fascinating points that I could note.
The key bit comes from Simon Morris, who is Fairfax Media’s (SMH’s owner) national video news editor. He says that the article “is not a complaint. We sign up to these rules as a part of a contract that allows us to send journalists. We could decide not to not do that and just rely instead on our statutory fair dealing rights under the Copyright Act, but we believe we have the best sports writers in the country and not sending them in return for being able to run more video would be a poor deal for you, our audience.”
The Olympics is a juggernaut if you’re part of the event. If you are not part of the event, then you are a complete outsider for that short time frame every four years.